This Thursday at 7:00 p.m. the Nube gallery, located on Arenales street #315inaugurates the collective exhibition called Territory, landscape and memory, in which nine Bolivian artists participate.
José Ballivián, Iván Cáceres, Cristina Collazos, Santiago Contreras, Graciela María González, Ivanova Gutiérrez, Óscar Andrés Olmos, Douglas Rodrigo Rada and Gastón Ugalde are the artists who are participating in this exhibition from different formatssuch as video, installation and photography.
The sample Territory, landscape and memory brings together a set of works by different artiststhe vast majority of which are local, and who cannot avoid going through the evidence of the local landscape and how it is impacted, either with the memory or with the documentation of the events that took place.
Many of these works rethink the landscape both inside and outside the urban circuit, the subjectivity with which we approach it, and how it inevitably defines us, not only as individual identities but also as a group.
Douglas Rodrigo Rada, one of the participating artists and also one of the curators of the show, pointed out that in his latest curatorial work he is interested in looking at the landscape in Bolivian art. “On this occasion I made a selection of works that rethink the landscapee both urban and rural,” Rada said.
This Thursday at 7:00 p.m. the Nube gallery, located on Arenales street #315inaugurates the collective exhibition called Territory, landscape and memory, in which nine Bolivian artists participate.
José Ballivián, Iván Cáceres, Cristina Collazos, Santiago Contreras, Graciela María González, Ivanova Gutiérrez, Óscar Andrés Olmos, Douglas Rodrigo Rada and Gastón Ugalde are the artists who are participating in this exhibition from different formatssuch as video, installation and photography.
The sample Territory, landscape and memory brings together a set of works by different artiststhe vast majority of which are local, and who cannot avoid going through the evidence of the local landscape and how it is impacted, either with the memory or with the documentation of the events that took place.
Many of these works rethink the landscape both inside and outside the urban circuit, the subjectivity with which we approach it, and how it inevitably defines us, not only as individual identities but also as a group.
Douglas Rodrigo Rada, one of the participating artists and also one of the curators of the show, pointed out that in his latest curatorial work he is interested in looking at the landscape in Bolivian art. “On this occasion I made a selection of works that rethink the landscapee both urban and rural,” Rada said.
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