Mafalda turns 60 inspiring artists and activists

The most rebellious character in Latin American comics turns 60 and still provocative. Mafalda, by Argentine cartoonist Quino, became an inspiration for new generations in his country and the world. It is as if the “creature” had gained a life of its own, beyond its “creator”, who passed away in 2020. Mafalda turns 60 inspiring artists and activists

Mafalda’s acidic phrases and critical streak stimulate debates in classrooms, art schools and comics. It is also a recurring “presence” on t-shirts and flags of political protests, especially when the subject is Argentina itself.

Since Javier Milei took office as president, the country has experienced a wave of protests, increased poverty and restrictions on freedom of expression. The public communication system was completely disrupted.

“I believe that Mafalda should return with full force, since, in times of Javier Milei as president, a critical and forceful voice like that of the character created by Quino is more than necessary”, believes the Brazilian cartoonist, Carlos Lattuf.

THE Argentine artist Jorgela Argañaras remembers spending his childhood in Argentine Patagonia reading Mafalda, laughing and repeating his jokes. The character’s nonconformity with the adult world helped Jorgela not feel so alone in her pre-adolescence.

“It was great to see her in the body of a rebellious girl and confronting Susanita’s sexist attitude, Felipe’s naivety, Manolo’s clumsiness with great humor”, recalls Jorgela.

“Mafalda would be horrified by this Argentine government. I imagine her raising flags accompanying retirees on the marches, defending grandmothers and mothers. I imagine her outraged by the ‘use of the word Freedom’ in a government that does not accept difference.”

Agustín Lecchi, general secretary of the Buenos Aires Press Unionconsiders that Argentina is currently experiencing one of the worst times for freedom of expression and the exercise of journalism.

“Proof of this are the attacks on the media and journalists, the censorship of public media and the attack on community media, in particular their financing”, cites Agustín.

“I have no doubt that President Milei would attack Mafalda and Quino as he attacks popular, artistic and journalistic expression. Recently, a decree was even published against the law on access to public information, which directly affects our work and the rights of the population. “

Inspiration

Quino’s character is also a reference for Brazilian artists and educators. THE comic artist May Solimar He learned from Mafalda that it is possible to express the most complex reflections in simple and playful language.

May remembers the character when she produces comics that deal with the fight against machismo and racism, as well as when she illustrates the experiences of black women, single mothers.

“Mafalda is an incredible inspiration. A symbol of activism. She reaches various audiences and speaks as everyone understands. She shows art as a way of connecting people with important struggles”, highlights May.

THE teacher and tourism agent Taina Gonçalves also has Mafalda as a reference. Currently living in Buenos Aires, she works as a guide and advisor, especially for Brazilians who are going to study medicine in Argentina.

“Mafalda is always current with her questions. As an educator, I use the comic strips to teach my students beyond the language. She helps me encourage them as human beings”, says Taina.

“Mafalda never ages. In the midst of crises and changes, it is essential that we continue to defend the right to question, express our opinions and seek a more just world. We must not lose the ability to be indignant.”

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