The Cuban president Miguel Diaz-Canel He acknowledged that his Government has been late in defending certain social rights. He did it this Friday, in the closing of the Third Plenary Session of the Central Committee of the Communist Party, where, for the umpteenth time, he once again defended socialism as “the only way to development with social justice” and denounced the attempts of “the articulators of the campaigns against Cuba” to “break the sacred national unity.”
“Racial issues, of genre, animal and environmental protection are constantly superimposed on digital platforms with stark attacks on the institutions (…) without recognizing the efforts and advances made by the State and civil society organizations to eliminate the burdens that hinder the performance of these rights and guarantees, “lamented Díaz-Canel.” In some it is true that we have lagged behind or reached a point – that is where we have to take a leap – and in others we have made much progress, but perhaps we have not communicated what enough, debated enough, consensual enough “.
The solution that Díaz-Canel proposes is to change the “old ways of communicating”, because, he continued, “the time imposes it and because, as the unforgettable Aute would say: ‘Our life is going on in it'”
For this, the solution he proposes is to change the “old ways of communicating”, because, he continued, “the time imposes it and because, as the unforgettable Aute would say: ‘Our lives are going on in it'”.
Díaz-Canel did not miss an opportunity to refer, with metaphors and disqualifications, to the frustrated Civic March for Change, called by the Archipelago platform for November 15, which the president calls “a destabilizing plan that has not yet ceased.”
“That plan was to reach its climax on November 15th. Some digital platforms even talked about the last day of the Cuban Revolution; however, it was the last day of a highly rehearsed play that never got its premiere,” said the president. designated, in clear allusion, without naming him, to the playwright Yunior García Aguilera, who put Heading to spain two days after suffering, on November 14, a prolonged act of repudiation that prevented him from leaving his house.
Diaz-Canel refers to him as “the articulator of the interrupted theatrical act” whom “his employers try to use by putting cameras and microphones on him wherever he moves.” “In what some analysts call ‘the miamization of Madrid’, the hard right of the old metropolis is competing with the unpresentable anti-Cuban politicians basified [sic] in Miami “, articulated the president, who concluded his speech with the Castro motto” fatherland or death, we will win. “
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