Characters sculpted in different materials that recall, according to Christian tradition, the scene of Jesus’ birth make up nativity scenes in privileged spaces across the country. They are in public spaces or even in the privacy of homes.
In Brazil, the Mãos de Deus Natural Nativity Scene, in the city of Grão Mogol (MG), in the Espinhaço Mountain Range, 570 kilometers from Belo Horizonte, is known as the largest in the world in the open air (on a permanent basis), covering an area of 3,600 square meters. The figures are carved in stone.
The nativity scene complex is 30 meters high. It was designed by businessman Lúcio Marcos Bemquerer, who died in 2021. The entire construction was donated to the archdiocese of Montes Claros (MG).
Brasília (DF), 12/23/2025 – Hands of God Nativity Scene in Grão Mogol (MG). Photo: Meet Minas/Facebook
Movement
The work is mainly responsible for religious tourism in the region and, according to the Minas Gerais culture department, has experienced a 20% increase in visitors per year. Tourism will increase, in 2024, the number of jobs in the sector by at least 50%.
Another visiting option is the Sound, Light and Movement nativity scene, which has free entry and is promoted in Brasília by the group Heralds of the Gospel. The characters are sculpted and are presented in movement. The scenes have narration and the automation is electronic. The technology was brought from the United States.
At home
At home, Brazilians also continued to cultivate tradition, even on days surrounded by screens. Besides, the value of the nativity scene is permanently redefined. One of those who appreciate nativity scenes, federal deputy Chico Alencar wrote a text and produced a video for social media that was interpreted by actress Fernanda Montenegro, great lady of Brazilian dramatic art.
“The nativity scene denounces the unequal society. There are Mary, Joseph and the boy. Landless and homeless family. There are night shepherds who lived on the margins to protect their sheep from voracious wolves”, narrates the actress, based on a text from the parliamentarian and friend.
On screen
Another tribute to nativity scenes in 2025 was inspired by Rio de Janeiro artist Cora Azedo. In vibrant colors, and with black angels, she produced the work in acrylic on canvas (featured photo).
The screen’s destination was an exhibition of nativity scenes in João Pessoa (PB). “This is the second nativity scene I have made”, said the artist, who is a fan of the naïve style.
>>Learn more about the tradition of nativity scenes on TV Brasil.
>>Also hear about Christmas symbols on Rádio Nacional.
